Joe Taslim ingin Sub-Zero kembali di prekuel "Mortal Kombat"

Aktor Indonesia Joe Taslim yang memerankan Sub-Zero Bi-han menginginkan karakter yang ia mainkan itu untuk kembali dalam prekuel "Mortal Kombat".

Walaupun Joe juga menginginkan sekuel yang tepat untuk "Mortal ...

https://www.antaranews.com/berita/2132710/joe-taslim-ingin-sub-zero-kembali-di-prekuel-mortal-kombat

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Pamungkas ukir prestasi baru di Spotify

Menyusul kesuksesannya sebagai artis pria lokal yang paling banyak diputar di Indonesia pada Spotify Wrapped 2020, solois indie Pamungkas kembali menorehkan prestasi.

Lagu berjudul "To the Bone" miliknya telah ...

https://www.antaranews.com/berita/2126278/pamungkas-ukir-prestasi-baru-di-spotify

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Uki eks Noah kembangkan usaha pakaian muslim

Usai rehat dari dunia musik dan band Noah pada Agustus 2019, Mohamad Kautsar atau akrab disapa Uki kini mulai mengembangkan usaha pakaian Muslim rintisannya, "Emka Clothing".

Seperti para pebisnis masa kini lainnya, ...

https://ramadhan.antaranews.com/berita/2123886/uki-eks-noah-kembangkan-usaha-pakaian-muslim

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"Taxi Driver" dan "Vincenzo" raih rating tinggi di Korea

"Taxi Driver" dan Vincenzo" sama-sama memperoleh rating yang memuaskan dalam penayangannya pada Sabtu (24/4).

Drama terbaru Lee Je Hoon dan Esom "Taxi Driver" yang tayang di SBS meraih peringkat ...

https://www.antaranews.com/berita/2120462/taxi-driver-dan-vincenzo-raih-rating-tinggi-di-korea

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Cokelat luncurkan "merchandise" helm

Grup band Cokelat merilis merchandise terbaru berupa helm yang diberi nama "Sayap Garuda".

Bekerja sama dengan Gigas Helmet, ini merupakan produk merchandise pertama dari Cokelat. Pemilihan produk ini didasari atas ...

https://www.antaranews.com/berita/2120482/cokelat-luncurkan-merchandise-helm

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Freddie Mercury & Rami Malek’s Live Aid Performance: A Side-By-Side Comparison

All Hollywood musicals need a big final set piece, one final rousing number to bring all the narrative threads back together, and provide redemption to our fallen hero. Bohemian Rhapsody, the 2018 biopic about Freddie Mercury and the band Queen, uses Live Aid as its final number. We’ve written elsewhere about how this was not really the final hurrah for the band, nor was this some kind of triumphant return after years in the Wilderness. (“Radio Gaga” and “I Want to Break Free” had been in the charts just over a year previous.) Neither was it their biggest concert of the 1980s. That would be the Wembley concert of 1986, where they would fill the exact same stadium used for Live Aid, but this time it was just for them.
But Hollywood cares not for that, so instead lets look at how faithfully Rami Malek and his fellow actors (along with what might have been Bryan Singer as director or possibly Brendan Fletcher, the man who replaced him after events we’d rather not go into, look it up) faithfully recreate those 20 glorious minutes. After all, it was one of the most watched events in the summer of 1985. There is video evidence!





I’ll leave it up to you out there to debate over Malek’s performance, which is going to suffer no matter what he does in a side-by-side with the real thing. Instead, notice how the filmmakers use certain parts of the performance to complete the narratives of the film. We get a cutaway to Brian May (Gwilym Lee) with a “by George he’s actually got it” look on his face—relief that Mercury finally got it together for the performance. There’s no equivalent shot in real life. The kiss that Mercury blows to somebody off camera is received by his mother and sister back at his childhood home.
After Mercury’s call-and-response with the teeming audience, the band dives into “Hammer to Fall” and the film cuts to a montage to show Live Aid’s phones ringing off the hook, anxious viewers wanting to donate even more because of Queen’s performance. This is again Hollywood hokum, as donations only really stepped up after Bob Geldof got in front of the cameras a little after Queen brought the house down and harangued viewers.
Still, you have to hand it to the movie for having the stones to indulge in the full 20 minute set, despite silly moves like cutting away to the movie’s “you’ll never go anywhere” record executive for the line “no time for losers” during the final song. (D’oh!)
YouTube user Juan Dela Cruz, who assembled this side-by-side, has made two other comparison videos using existing footage and the film: Part One is here, and here’s Part Two.
Related Content:
Watch Queen Rehearse & Meticulously Prepare for Their Legendary 1985 Live Aid Performance
Watch 16 Hours of Historic Live Aid Performances: Queen, Led Zeppelin, Neil Young & Much More
Bob Geldof Talks About the Greatest Day of His Life, Stepping on the Stage of Live Aid, in a Short Doc by Errol Morris
Ted Mills is a freelance writer on the arts who currently hosts the Notes from the Shed podcast and is the producer of KCRW’s Curious Coast. You can also follow him on Twitter at @tedmills, and/or watch his films here.

Freddie Mercury & Rami Malek’s Live Aid Performance: A Side-By-Side Comparison is a post from: Open Culture. Follow us on Facebook, Twitter, and Google Plus, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooks, Free Audio Books, Free Foreign Language Lessons, and MOOCs.

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Lima rekomendasi film Korea dengan nuansa kelam

Film Korea dengan genre romantis atau komedi memang selalu menarik untuk diikuti, namun sesuatu yang mendebarkan dengan nuansa kelam juga seru untuk disaksikan.

Film Korea memiliki beragam genre, salah satu yang diandalkan ...

https://www.antaranews.com/berita/2112670/lima-rekomendasi-film-korea-dengan-nuansa-kelam

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