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Wednesday, February 10, 2021

Versi baru film klasik "Wizard of Oz" sedang dibuat

Hollywood sedang mempersiapkan remake baru dari film klasik "The Wizard of Oz". New Line Cinema mengatakan mereka sedang menggarap versi baru dari kisah Dorothy dan perjalanannya ke Land of Oz yang diceritakan secara ...

https://www.antaranews.com/berita/1994104/versi-baru-film-klasik-wizard-of-oz-sedang-dibuat

Serial "Mama Mama Milenial" soroti masalah rumah tangga mama muda

GoPlay, platform video-on-demand dan live streaming interaktif dari Gojek mengawali tahun 2021 dengan serial originalnya bertajuk "Mama Mama Milenial" yang menyoroti fenomena terkini generasi milenial dan masalah rumah ...

https://www.antaranews.com/berita/1994120/serial-mama-mama-milenial-soroti-masalah-rumah-tangga-mama-muda

Rekomendasi drama Korea berdasarkan tipe kepribadian MBTI

Pernahkah Anda merasa kebingungan dalam memilih drama Korea mana yang ingin disaksikan berikutnya? Dengan semakin banyaknya tayangan Korea yang tidak hanya menghibur namun juga menginspirasi, tidak heran jika Anda membutuhkan ...

https://www.antaranews.com/berita/1993984/rekomendasi-drama-korea-berdasarkan-tipe-kepribadian-mbti

The “Academic Tarot”: 22 Major Arcana Cards Representing Life in the Academic Humanities Under COVID-19


“Speculations about the creators of Tarot cards include the Sufis, the Cathars, the Egyptians, Kabbalists, and more,” writes “expert cartomancer” Joshua Hehe. All of these suppositions are wrong, it seems. “The actual historical evidence points to northern Italy sometime in the early part of the 1400s,” when the so-called “major arcana” came into being. “Contrary to what many have claimed, there is absolutely no proof of the Tarot having originated in any other time or place.”
A bold claim, yet there are precedents much older than tarot: “A few decades before the Tarot was born, ordinary playing cards came to Europe by way of Arabs, arriving in many different cities between 1375 and 1378. These cards were an adaptation of the Islamic Mamluk cards,” with suits of cups, swords, coins, and polo sticks, “the latter of which were seen by Europeans as staves.”





Whether the playing cards brought to Europe by the Mamluks were used for divination may be a matter of controversy. The history and art of the Mamluk sultanate itself is a subject worthy of study for the tarot historian. Originally a slave army (“mamluk” means “slave” in Arabic) under the Ayyubid sultans in Egypt and Syria, the Mamluks overthrew their rulers and created “the greatest Islamic empire of the later Middle Ages.”
What does this have to do with tarot reading? These are academic concerns, perhaps, of little interest to the average tarot enthusiast. But then, the average tarot enthusiast is not the audience for the “Academic Tarot,” a project of the Visionary Futures Collective, or VFC, a group of 22 scholars “fighting for what higher education needs most,” Stephanie Malak writes at Hyperallergic, “a bringing together of thinkers who ‘believe in the transformational power and vital importance of the humanities.’”

To that end, the Academic Tarot features exactly the kinds of characters who love to chase down abstruse historical questions—characters like the lowly, confused Grad Student, standing in here for The Fool. It also features those who can make academic life, with its endless rounds of meetings and committees, so difficult: figures like The President (see here), doing duty here as the Magician, and pictured shredding “campus-wide COVID results.”
The VFC, founded in the time of COVID-19 pandemic and “in the midst of the long-overdue national reckoning led by the Black Lives Matter movement,” aims to “trace the contours of things that define our shared human condition,” says Collective member Dr. Brian DeGrazia. In the case of the Academic Tarot, the conditions represented are shared by a specific subset of humans, many of whom responded to “feelings surveys” put out by the VFC in a biweekly newsletter.
The surveys have been used to make art that reflects the experiences of the grad students, professors, and professional staff working the academic humanities at this time:
VFC artist-in-residence Claire Chenette, a Grammy-nominated Knoxville Symphony Orchestra musician furloughed due to COVID-19, brought the tarot cards to life. What began as a three-card project to complement the VFC newsletter grew in spirit and in number. 
“In tarot, the cards read us,” the VFC writes, “telling a story about ourselves that can provide clarity, guidance and hope.” What story do the 22 Major Arcana cards in the Academic Tarot tell? That depends on who’s asking, as always, but one gets the sense that unless the querent is familiar with life in a higher-ed humanities department, these cards may not reveal much. For those who have seen themselves in the cards, however, “the images made them laugh out loud,” says Chenette, or “they hit hard. Or… they even made them cry, but… it needed to happen.”
Struggling through yet another pandemic semester of attempting to teach, research, write, and generally stay afloat? The Academic Tarot cards are currently sold out, but you can pre-order now for the second run.
via Hyperallergic
Related Content: 
Divine Decks: A Visual History of Tarot: The First Comprehensive Survey of Tarot Gets Published by Taschen
Behold the Sola-Busca Tarot Deck, the Earliest Complete Set of Tarot Cards (1490)
Salvador DalĂ­’s Tarot Cards Get Re-Issued: The Occult Meets Surrealism in a Classic Tarot Card Deck
Carl Jung: Tarot Cards Provide Doorways to the Unconscious, and Maybe a Way to Predict the Future
Josh Jones is a writer and musician based in Durham, NC. Follow him at @jdmagness

The “Academic Tarot”: 22 Major Arcana Cards Representing Life in the Academic Humanities Under COVID-19 is a post from: Open Culture. Follow us on Facebook, Twitter, and Google Plus, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooks, Free Audio Books, Free Foreign Language Lessons, and MOOCs.

Tuesday, February 9, 2021

How Jazz Became the “Mother of Hip Hop”



https://www.youtube.com/watch?v=Caxwob1iKX4





Jazz and hip hop have been in a lively conversation in recent years, breaking new ground for both forms, as the work of artists like Kendrick Lamar and his collaborators amply shows. Lamar created his majorly-acclaimed albums To Pimp a Butterfly and Damn with the indispensable playing and arranging of jazz-fusion saxophonist Kamasi Washington and his frequent sideman, bassist Stephen “Thundercat” Bruner, who have contributed to the work of Flying Lotus. That’s the artist name of Stephen Ellison, nephew of Alice and John Coltrane, who has also been instrumental, no pun intended, in reshaping the sound of contemporary hip hop.
“The influence cuts both ways—from jazz to hip hop and back again,” writes John Lewis at The Guardian. Or as Washington puts it, “We’ve now got a whole generation of jazz musicians who have been brought up with hip-hop. We’ve grown up alongside rappers and DJs, we’ve heard this music all our life. We are as fluent in J Dilla and Dr Dre as we are in Mingus and Coltrane.”





The fusion of avant-garde hip hop with live jazz improvisation, instrumentation, and arranging may seem like a new phenomenon, though one could date it at least as far back as the Roots’ early 90s debut.


https://www.youtube.com/watch?v=_srvHOu75vM





“Hip hop’s love affair with jazz goes back more than 30 years,” Lewis writes. The music was everywhere in the 90s, in the foreground on the records of A Tribe Called Quest, De La Soul, and Digable Planets and in more cut-and-paste ways in albums like Nas’ instant classic Illmatic, produced by Pete Rock, who crafted tracks like “N.Y. State of Mind” from layered samples of Ahmad Jamal, Donald Byrd, and little-known jazz-funk outfits like Jimmy Gordon & His Jazznpops Band. As pianist Robert Glasper shows above in the brief NPR Jazz Night in America video at the top, “Jazz is the mother of hip-hop.”
Both jazz and hip hop were born out of oppression, and both are forms of protest music, “going against the grain,” Glasper argues. But there’s more to it. Why do hip hop producers gravitate toward jazz, chopping and lifting classics and obscure rarities? For a wealth of melodic content—”for a mood, for a sonic timbre, for a unique rhythmic component,” writes interviewer Alex Ariff on YouTube; for a shared history of struggle and celebration and a desire to change the sound of music with each release. Glasper’s brief, three-minute demonstration is fascinating and it could, as one YouTube commenter points out, easily extend to three hours.


https://www.youtube.com/watch?v=pDga7tJL2UU





Until he makes that video, you can find jazz samples in hip hop records to your heart’s eternal content at Whosampled.com and consider how the influence of hip hop on jazz musicians has created new forms of fusion akin to Miles Davis’ experiments in the 70s. “I never had a problem moving between jazz and hip hop,” says Washington. “People like to compartmentalize music, especially African-American music, but it’s really one thing. One very wide thing…. When I first played some Coltrane-type stuff on the Pimp a Butterfly sessions, Kendrick got it immediately. ‘I want it to sound like it’s on fire,’ he’d say. That’s the kind of common ground that the best jazz and the best hip-hop have.”
via The Kids Should See This
Related Content: 
How Nina Simone Became Hip Hop’s “Secret Weapon”: From Lauryn Hill to Jay Z and Kanye West
The History of Hip Hop Music Visualized on a Turntable Circuit Diagram: Features 700 Artists, from DJ Kool Herc to Kanye West
150 Songs from 100+ Rappers Get Artfully Woven into One Great Mashup: Watch the “40 Years of Hip Hop”
Josh Jones is a writer and musician based in Durham, NC. Follow him at @jdmagness

How Jazz Became the “Mother of Hip Hop” is a post from: Open Culture. Follow us on Facebook, Twitter, and Google Plus, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooks, Free Audio Books, Free Foreign Language Lessons, and MOOCs.

Monday, February 8, 2021

Film "Akhirat: A Love Story" rilis poster

Poster film terbaru Adipati Dolken dan Della Dartyan yakni "Akhirat: A Love Story" resmi dirilis.

Sebelumnya, pada bulan November yang lalu, film arahan Jason Iskandar tersebut telah mengeluarkan foto-foto awalan, ...

https://www.antaranews.com/berita/1989284/film-akhirat-a-love-story-rilis-poster

A New Yorker Cartoonist Explains How to Draw Literary Cartoons



https://www.youtube.com/watch?v=2SsozkaBtMw





“I enjoy poking fun at anything educated people do and civilized society perpetuates that is odd, frustrating, wacky, or hypocritical,” cartoonist Amy Kurzweil, above, recently told the New York Public Library’s Margo Moore.
Unsurprisingly, she’s been getting published in The New Yorker a lot of late.
The process for getting cartoons accepted there is the stuff of legend, though reportedly less grueling since Emma Allen, the magazine’s youngest and first-ever female cartoon editor, took over. Allen has made a point of seeking out fresh voices, and working with them to help mold their submissions into something in The New Yorker vein, rather than “this endless game of presenting work and then hearing ‘yes’ or ‘no.’”





Kurzweil has a fondness for literary themes (and the same brand of pencils that John Steinbeck, Truman Capote, and Vladimir Nabokov preferred—Blackwings—whether in her hand or, conversing with Allen on Zoom, above, in her ears.)
Getting the joke of a New Yorker cartoon often depends on getting the reference, and while both women seem tickled at the first example, Kurzweil’s mash-up of Proust’s Remembrance of Things Past and the picture book If You Give a Mouse a Cookie, it may go over many readers’ heads.
The thing that holds it all together?
Madeleines, of course, though outside France, not every Proust lover is able to identify an inked representation of this evocative cookie by shape.
Kurzweil states that she has never actually read the children’s book that supplies half the context.
(It’s okay. Like the idea that memories can be triggered by certain nostalgic scents, its concept is pretty easy to grasp.)
Nor has she read philosopher Derek Parfit’s whopping 1,928-page On What Matters. Her inspiration for using it in a cartoon is her personal connection to the massive, unread three-volume set in her family’s library. Because both the size and the title are part of the joke, she directs the viewer’s eye to the unwieldy tome with a light watercolor wash.
She also has a good tip for anyone drawing a library scene—go figurative, rather than literal, varying sizes and shapes until the eye is tricked into seeing what is merely suggested.
A all-too-true literary experience informs her second example at the 4:30 mark—that of a little known author giving a reading in a bookstore. Despite a preference for drawing “fleshy things like people and animals” she forgoes depicting the author or those in attendance, giving the punchline instead to the event posters in the store’s window.
As she told the NYPL’s Moore:
A cartoon is always an opportunity to showcase a contemporary phenomenon by exaggerating it or placing it in a different context.
Over the last year, a huge number of New Yorker cartoons have concerned themselves with the domestic dullness of the pandemic, but when Allen asked if she has a favorite New Yorker cartoon clichĂ©, Kurzweil went with “the Moby Dick trope, because whales are easy to draw, and I like a good metaphor for the unattainable.”
Related Content:
New Yorker Cartoon Editor Bob Mankoff Reveals the Secret of a Successful New Yorker Cartoon
The Not Yorker: A Collection of Rejected & Late Cover Submissions to The New Yorker
Download a Complete, Cover-to-Cover Parody of The New Yorker: 80 Pages of Fine Satire
Ayun Halliday is an author, illustrator, theater maker and Chief Primatologist of the East Village Inky zine. She most recently appeared as a French Canadian bear who travels to New York City in search of food and meaning in Greg Kotis’ short film, L’Ourse.  Follow her @AyunHalliday.

A New Yorker Cartoonist Explains How to Draw Literary Cartoons is a post from: Open Culture. Follow us on Facebook, Twitter, and Google Plus, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooks, Free Audio Books, Free Foreign Language Lessons, and MOOCs.